Happily Ever After Stories

Happily Ever After: Nigel and the Slade Family

Once upon a time, Nancy Slade had a fondness for a particular breed of dog, leading her friends to alert her whenever there was one up for adoption in the area.

“I’ve always had a fondness for Chihuahuas, even though I’ve never had one,” Slade says. “A lot of my friends know I like them, and whenever they see one up for adoption, they post [the photos] on my Facebook wall.”

A friend of Slade’s who fosters for different rescue organizations posted a photo on her wall of a Chihuahua named Romeo from 4 Paws 4 Rescue. At the time, the Slades had a couple of other older dogs, but “this little face just stuck.”

“I showed him to my husband and said, ‘If you had a dog like this, what would you name him?’ He looked at the photo and said, ‘That looks like a Nigel to me,’” Slade says.

Nigel had a name before the Slades even contacted the rescue organization. When she called about him, his foster mom said the pup had been found in Nashville as a stray and was recovering from canine parvovirus, a highly contagious virus that can be life-threatening. She brought him to the Slade house, where the plan was to tell Slade’s children Nigel was a foster. But they all loved him from the moment they met him and knew they’d never be able to part with him.

Slade calls Nigel a “very happy guy” who loves to snuggle and burrow under blankets, where he’ll sleep all the way under the covers.

“He’s kind of like a cat,” Slade says. “He’ll sit on the sofa and look out the window.”

Though he’s a smaller dog, Slade says Nigel’s not very vocal unless there’s a squirrel.

“He hates them,” she says. “You can’t even say the word ‘squirrel’ without him freaking out.”

Despite his distaste for squirrels, Nigel is fearless – with one exception. Slade says the only time she saw him afraid was an incident where he got out of the yard. He didn’t go far, and the Slades went on foot to retrieve him since they knew where he’d be. At the top of the street, they saw him running toward them.

“There was a huge hawk flying above him chasing him,” Slade says. “He was running toward us like, ‘Save me!’”

Other than the hawk incident, the 5-year-old pup has an adventurous spirit.

“He’s been on lots of trips and loves to go boating,” she says. “He’ll stand on the chair in front so he can catch the wind and waves. He’s pretty fearless for a little guy. He rules the roost.”

This story was originally published at laduenews.com. Read it on LN’s website here.

Dancing Astronaut

Kove goes back to his roots with new EP, shares exclusive ‘Dig It’ [Interview]

James Rockhill, known to the music world as Kove, has been taking the drum & bass world by storm since his beginnings as an artist in 2012. In the five years since his debut, Rockhill’s sound has morphed and transformed as he’s honed his sound. He’s toyed with house music for singles like “Jericho” and “Comin’ On Strong” in 2016, but his forthcoming collection of music takes him back to his fast-paced drum & bass roots. In From The Cold is a four-track exploration of the very essence of Rockhill as an artist, showcasing his raw, old-school style.

In From The Cold is out Nov. 24, and we have an exclusive first listen of “Dig It,” below.


Why was “Ain’t No Love” chosen as the EP’s lead single? How does it pave the way for the rest of the EP?


I feel like it is representative of where I am musically at the moment so it felt like the right one to re-introduce myself with after the break I’ve just had. It’s got an old-school raw flavour to it in my opinion, which is a theme that runs through this EP and a lot of the stuff I’m making.


How long has this EP been in the works?


It’s actually been a relatively short turnaround with this one. I had the demo of “Aint No Love” knocking about for a fair while before anyone really heard it. Risky at DNBA got hold of it and suggested putting it out, and that really kickstarted writing DnB again for me. The rest of the tunes on the EP were written in the space of a few weeks and here we are now!


How does In From the Cold differ from your previous Nightfires collections?


The most obvious difference would be it’s all drum & bass. I really used Nightfires to explore different styles and techniques, such as exploring rock music through different vocalists and using guitars instead of synthesizers. There’s also a lot of house tunes on those EPs. With In From the Cold, I wanted to get back to the sound that I started out producing, going back to my roots so to speak.


What are you most excited about in today’s dance music scene?


Dance music is exciting at the moment. It seems to be equally looking forward and dipping back into the old school at the same time, which I think is a good place to be. There was so much talk of the ‘EDM bubble’ and its inevitable burst, but electronic music seems to be from strength to strength and diversifying all the time. It’s also interesting to see how much pop is becoming influenced by more left field styles like trap and the whole ‘SoundCloud rap’ thing, rather than pop-house being so prevalent.


What do you see for the future of drum & bass?


It seems super healthy at the moment. I don’t think you’re going to see it bothering the charts as much as it has been in recent years but that seems healthier for the more underground sounds. I personally think we’re going to see a bit of a resurgence in more melodic dancefloor tunes, much in the same way dubstep is hinting towards pre-2010 sounds.


What are your plans for 2018?


Plenty more new music! I’ve been on a writing spree recently so I can’t wait to get new beats out. Apart from that, I’m looking forward to getting back out on the road!


This story was originally published at dancingastronaut.com. Read it on DA’s website here.

Dancing Astronaut

Krayysh releases stunning debut EP, ‘Talk To Me’

Since his debut earlier this year, mysterious producer Krayysh has consistently hypnotized listeners with his dark, experimental style. All of his hard work has led him to the release of a thrilling inaugural EP, Talk To Me, which came out on Nov. 17.

The EP consists of four originals, wrapped up by Mat Zo’s remix of “Talk To Me.” The EP’s namesake track kicks off the collection of music on a relatively lighthearted note for the undetermined road that lies ahead. With sweet, almost sorrowful vocals from Joyia,”Talk To Me” moves along at a spirited pace, fooling the listener into thinking they’re in for a mild adventure.

As the initial track dwindles away and fades into “The Opposite of Happy,” it becomes clear that the remainder of the tracks will take on a more foreboding tone than the first. The Canadian producer takes his listeners on a journey down a dark rabbit hole with “The Opposite of Happy,” using bass-heavy glitchy sound design to portray an almost spooky vibe. He continues to build tension in “Take a Look and See,” a downtempo track that swings the listener back and forth between a delicate, wistful melody and trippy, heavy bass. Krayysh closes his original pieces of work with a short track called “Cold Ash,” which features a quicker pace and an elaborate intro and outro.

Overall, Talk To Me impeccably showcases Krayysh’s intricate attention to detail and the shadowy, cinematic journey he’s crafted in his debut set of songs.

“I put my soul into this and am unbelievably excited to share it with the world,” he says in a Facebook post.

This story was originally published at dancingastronaut.com. Read it on DA’s website here.

Dancing Astronaut

Just A Gent talks style evolution, creative process [Interview]

Australian artist Just A Gent has been producing since his pre-teen years, evidenced by his compellingly composed pieces of music that transcend genre classifications. His diverse musical interests have led him to flip songs of all genres over the years — from Illenium to Whitney Houston — all while sporting a spiffing suit and top hat.

Just last month, he released a wistful melodic dubstep track featuring Thief, “Hold,” that’s been met with glowing reviews. The classy producer is currently on a massive tour with San Holo and DROELOE that’s taken him across North America and will wrap up in mid-December.

We caught up with the producer to hear more about his style evolution, tour life and what’s in store for 2018.


You’ve produced music of all genres over the years. How has your style evolved?


I’ve been trying to fuse genres together for a long time. I think it’s an essential thing to be able to make more than one style of music whether that be inside the electronic category or anything outside of that, it just helps bring a fresh flavour into music and you can tell when people know more than just ‘trap’ or ‘dubstep’. I think my style has developed a lot since I started the Just A Gent project and with a plethora of other styles and genres out there I hope I can continue to do that.


You’ve flipped everything from Phantom of the Opera to Rage Against the Machine. What makes you decide to flip a song?


Generally the tracks I have been flipping on the Just A Tune project are really solid tunes, some of them are my favorite themes of all time like the Phantom of The Opera “Overture” and the Star Wars “Binary Sunset” and even the “Bing n Bong” remix is a flip of my favourite childhood TV shows, Tiny Planets. I think the song just has to really pop to me and connect with me from the first time I hear it till the 1000th time. I am always open to suggestions though so slide into my DMs with ideas.


How does your creative process differ for your original productions versus your flips?


With the flips, I’m generally just rushing it, finishing the track in a few hours and throwing it up on SoundCloud. There isn’t really a deep and meaningful story or process behind it, it’s just me throwing together a quick flip of a track I love. With my original tracks I want people to be able to hear how much time I put into them and I like to think there is more story behind them. I also just generally put a tonne more hours into the originals and make sure they are perfect before release.


How’s the tour with San Holo and DROELOE going? Memorable moments so far?


Pretty bloody amazing. Every show has been a sold out stellar time and the crowds have been insane. Just hanging out with the dudes and getting to understand Dutch culture a little more has been a blast. They are a great bunch of guys and I am extremely grateful to be touring with them.


What’s your favorite song to play out live and why?


I love playing out my Whitney Houston, “I Will Always Love You” flip. It’s been popping in and out of my sets for the last couple of years, but it’s so great to hear everybody sing it back and then confused as a chameleon in a bag of Skittles when the drop hits.


Where do you see electronic/dance music in 5, 10 years? As someone with a rich music background, do you think the scene/genre is sustainable long-term?


Electronic music is only gonna continue becoming more and more relevant in the mainstream. I think people need to start looking at them producers really changing things up though, artists like Fytch, Former & Nomak have really been inspiring me lately with totally new sounds that I am loving.


What’s coming up for you in 2018?


So much new music and touring. I can’t wait to share some of my new tracks with everyone, they are definitely a little on the experimental side but we shall soon see what everyone thinks!!


This story was originally published at dancingastronaut.com. Read it on DA’s website here.

Happily Ever After Stories

Happily Ever After: Deacon, Enid and the Stillman Family

Once upon a time, the Stillman house was full. Neighbors fondly referred to the Stillmans’ household as a petting zoo because they always seemed to house unwanted animals. Among the animals, the Stillmans had an elderly cat and were looking to adopt a second “when the time was right.”

Julianne Stillman’s 14-year-old daughter searched the internet for kittens that needed a forever home and stumbled across a picture of Enid, a kitten who was missing radial bones in her forelegs from a genetic condition. After the girl showed her mom, the Stillmans got in touch with St. Louis Pet Rescue to see about visiting the kitten.

“We met Enid and found out she has siblings,” Stillman says. “She and her brother Deacon came as a pair, and both had the genetic leg condition.”

The Stillmans fell in love with the kittens and made the decision to adopt them on the spot.

“We knew we could give them a loving home and work with their special needs,” Stillman says. “We were a bit nervous when we brought them home, though, because we weren’t sure they’d be able to do stairs.”

The Stillmans learned very quickly that since the kittens had been born with the condition, they didn’t know any different. Enid and Deacon army-crawl everywhere and sit up on their hind legs like kangaroos.

“They’re totally mobile and can jump and run like crazy,” Stillman says.

Deacon and Enid fit in perfectly with the other Stillman household animals. They’re close with the older cat, especially Enid. They also love the family guinea pig, who will chase the kittens around.

“They all run around the living room together, and the guinea pig will try to chew on [the kittens’] fur,” Stillman says. “They’re all about the same size, so it’s pretty funny to watch.”

Deacon and Enid are inseparable, but each has individual quirks. Enid is obsessed with the shower and will wait nearby until someone gets out to invade it; she’s also notorious for unrolling rolls of toilet paper.

“We’d wake up in the morning, and it will be all unrolled, shredded and everywhere,” Stillman says.

Deacon’s the more vocal of the two and will “walk around yowling.”

Although the two kitties weren’t initially part of the Stillman animal plan, Stillman says the pair came into the family’s lives when they were most needed.

“We’ve had a hard year, so I feel like they were sent to us,” she says. “They make us laugh every day.”

This story was originally published at laduenews.com. Read it on LN’s website here.

Ladue News Feature Stories

Ferguson Community Empowerment Center Builds a Beacon of Hope

In August 2014, the city of Ferguson was thrown into the global spotlight after the fatal shooting of Michael Brown by police officer Darren Wilson. In the days that followed the Aug. 9 shooting, a QuikTrip on West Florissant Avenue was looted and burned to the ground during a riot followed by an evening of otherwise peaceful protesting.

Three years later, the site of the burned-out QuikTrip is unrecognizable from what it was following then. In its place stands a state-of-the-art, multimillion-dollar facility that houses offices for the Urban League of Metropolitan St. Louis, The Salvation Army’s Midland Chapter, University of Missouri Extension and Lutheran Hope Center.

At the end of July, coinciding with the National Urban League’s annual conference taking place in St. Louis, the Ferguson Community Empowerment Center opened its doors at 9420 W. Florissant Ave. Michael McMillan, the president of the local Urban League chapter, says the center has been met with a “fantastic response” from the community in the months since its opening. Much of the interest has come from walk-in traffic, he notes, with residents of the surrounding communities curious about the resources offered at the center.

One such resource is the Save Our Sons program, which was started as a direct result of the unrest in Ferguson in 2014. McMillan, who was named president of the Urban League’s local chapter in 2013, recalls the huge outcry from young people wanting their voices to be heard.

“Usually, decision-making tables consist of people who have risen in their careers to a certain level,” he says. “As a result, a lot of times you don’t have young people in the room when decisions are being made. We made a conscious choice to get out into the community and literally walk these streets to listen to what young people needed to say.”

Though the young people of the North County community expressed a variety of opinions, one thing that was overwhelmingly stressed was the need for jobs. Urban League members looked at their statistics and found that 70 percent of their clients were female heads of households. Men, they discovered, largely weren’t taking advantage of programs.

“We wanted to tailor a program just centered around them, because African-American males in North County and north St. Louis City have three times the unemployment rate of the average citizen,” McMillan says. “We wanted to make sure we did something to rectify that and deal with it as a crisis. We created Save Our Sons, working on our federal workforce model we’ve had for the past 16 years.”

Save Our Sons is a four-week program that focuses on how to get a job, how to keep a job, how to get promoted and how to become more marketable in the workplace. It’s the Urban League’s goal to place graduates of the program in new jobs.

“We don’t consider it a success until we place you somewhere,” McMillan says. “We have hiring managers and human-resource officers come in from around the region with more than 100 partner companies we work with.”

The Urban League also takes into account the candidates’ interests, working to place them in jobs that they enjoy – something beneficial for both the employer and the employee. To date, Save Our Sons has graduated 400 men and placed them in jobs in warehousing, logistics, shipping, retail, food service, construction, information technology, and parks and conservation. As the program continues to develop and expand, McMillan hopes it can be used as a model across the region and even across the country.

“There’s significant need to expand it into the city, to East St. Louis and St. Clair County,” McMillan says. “This is an epidemic all over the country, and we’d love to have [the program model] utilized everywhere. In the Urban League movement with almost 100 [chapters] across the country, we’re constantly trying to show best practices and learn from each other.”

The Ferguson Community Empowerment Center is truly a collaborative effort. Construction for the $5.8 million building was paid in full, with funding from donors, St. Louis County tax credits, co-owner The Salvation Army and TIAA Direct. University of Missouri-St. Louis’ extension program operates a satellite office out of the building, and Lutheran Hope Center also has offices there. Other organizations, like Better Family Life and Provident, will be able to use the building for events.

“We’re most proud of the fact that there’s been so much overwhelming support from everyone we asked to be a part of this in any way whatsoever,” McMillan says. “Every part of society here has been so supportive, and we couldn’t be happier.”

As for the center’s future, McMillan hopes tens of thousands of people will be able to come through its doors to get services and build better lives for themselves and the community around them.

“We want to constantly promote the spirit of giving back,” he says. “No matter a person’s circumstance, we hope they would use the gifts they’ve been given to give of their time to help others and that this building would be a beacon of that – of helping others and making a difference in the community.”

This story was originally published at laduenews.com. Read it on LN’s website here.

Dancing Astronaut

Slander discuss new EP with Kayzo, ‘Dilapidation Celebration’ [Interview]

The relationship between Slander and Kayzo goes back many years.

A simple Google search reveals that while their two-track Monstercat EP is out in full on Oct. 27, their first musical collaborations date back to 2012, when all three of them were just getting started in the dance music scene.

Derek Anderson and Scott Land, who make up Slander, were local DJs in Los Angeles at the time. They were passionate about what they were doing and wanted to find a way to make music as a career. Anderson recalls joining producer groups on Facebook – in one of which he met Hayden Capuozzo, who went on to become Kayzo.

“I really liked the music he was making, and I asked him if he wanted to work on a song together,” Anderson says. “He invited me to come to his studio, but when I got there, it wasn’t really his studio.”

It was Icon Collective, a music production school in LA, and Capuozzo was taking classes there.

“I remember walking in the door and seeing a bunch of kids on their laptops with headphones in the lobby and thinking ‘this is where I need to learn how to do this,’” Anderson recalls. “I had no idea something like [Icon Collective] existed until [Capuozzo] showed me.”

The trio worked on a few original tracks and a remix together – tracks that would become some of their first pieces of work under the names Slander and Kayzo.

“[Capuozzo] taught us so much about production, and he’s been our friend ever since,” Anderson says. “It’s been crazy watching both our progressions over the years.”

Though they did some work together early on, Anderson, Land and Capuozzo’s musical paths took them in different directions for a few years. They only recently got to play a show together earlier this year in Cologne, Germany at Bootshaus.

“Bootshaus is hands down the craziest club on the planet,” Anderson says. “It was one of my favorite shows we did all year. [Capuozzo] got up there and totally crushed it,” he says. “When we got back from to LA, the show was stuck in my mind.”

He contacted Capuozzo and said he wanted to work on more music together. Capuozzo agreed, and sent the duo a folder of unreleased songs. Two of the vocals stuck out to Anderson and Land – vocals that would later become the groundwork for “Without You” and “Holy.” One was perfect for Slander’s “heaven trap” touch, while the other was a more festival-ready track with Kayzo’s flair. They decided to label “Without You” as Slander & Kayzo, while “Holy” is branded as Kayzo & Slander.

“It’s a mutual respect thing,” Anderson says. “It all came together really organically.”

While the EP came together organically, the theme didn’t. Since the two tracks are so different, both artists struggled with a way to tie them together. Anderson says the concept for Dilapidation Celebration came to him after a trip to Burning Man.

“We always celebrate happy times in our lives, like birthdays, anniversaries and holidays,” he says. “But life is more than just the happy moments. Life is every moment… all your sad moments and your happy moments together. That’s what makes the human experience.”

Both artists had released on Monstercat before and played at EDC this past summer. Monstercat CEO Mike Darlington heard them drop “Holy” at the festival and said the Canadian label would love to release it.

“A lot of labels are stuck in one lane, but Monstercat is so open-ended,” Anderson says. “They’re open to different genres, which is good because the two songs [on the EP] are so different.”

In the end, Anderson says the EP was simply done because of their relationship with Capuozzo, with no ulterior motives.

“Some collabs sound forced, and you can tell the two artists are working together just to further their careers,” he says. “We did this because we’re friends, and I think that really comes across in the music.”

Dilapidation Celebration is out now on Monstercat.

This story was originally published at dancingastronaut.com. Read it on DA’s website here.
Happily Ever After Stories

Happily Ever After: Sky and the Gottschalk Family

Once upon a time, Sky, a beautiful border collie, refused to eat. She wouldn’t relieve herself outside, stand up or play like a one-year-old pup should. She was depressed.

Tammy Gottschalk had been volunteering for the Animal Protective Association of Missouri (APA) for years. She often fostered animals, but usually took home kittens. One day, in an APA foster Facebook group, Gottschalk saw Sky.

“It sounded like she was shutting down,” Gottschalk says.

She stopped by on a Friday in January 2016 and inquired about the border collie she’d seen online. The dog was still at the APA, and desperately needed more attention than the rescue group was able to give her.

“The staff does so much great work, but they really needed [foster parents] for this one,” she says.

So Gottschalk took Sky home. She tried to get the sad pup to eat “basically everything in the fridge,” but Sky wouldn’t eat. Finally, Gottschalk scrambled some eggs for Sky. The dog ate a few tiny bites, and that was the beginning of her recovery.

“Days went by, and I could get her to eat the tiniest bite of chicken or a little bit of cheese,” Gottschalk says. “On day four, I came into the living room, and she was standing up and wagging in her kennel.”

After that, Sky continued to improve. Two months into the fostering process, Gottschalk knew she wouldn’t be able to part with Sky and decided to adopt her officially. In the nearly two years Gottschalk has had Sky, the pup has completely come out of her shell.

“We take her on long walks,” Gottschalk says. “Even after five, 10 miles, she still has energy. I’ve tried taking her along when I bike or skate, and she still has loads of energy.”

Sky expends her energy going on long walks, playing Frisbee and romping with her golden retriever sibling and the neighbor dogs. She’s been swimming, paddleboarding and canoeing. Gottschalk taught her how to go down the slide at the park and has also been trying to teach her to smile.

“When you put the time and energy into pets, it all comes back to you,” Gottschalk says. “We are just so in love with her. She’s come a long way.”

This story was originally published at laduenews.com. Read it on LN’s website here.

Dancing Astronaut

Gammer releases fiery new dubstep track, ‘Let’s Get Crunk’ [+ Interview]

Make no mistake: Gammer’s love of hardcore music is here to stay, as is his production of the genre. But like with any form of artistry, the multi-faceted producer is working to expand his sound and has been dabbling in other types of music production this year.

His latest, “Let’s Get Crunk,” steps boldly into the dubstep world. With grinding bass and hyped-up vocals, Gammer’s production skills are polished and perfected. His hardcore roots shine through with a focus on the track’s blissful melody in between bass breaks. In his Reddit AMA, Gammer said the idea for the track came about after watching Kayzo play at Hard Summer for the first time.

“I was so inspired by all these different rhythms and decided I wanted to try and make a dubstep track but with a ‘thicker’ sound (mainly using the same percussive elements I always use in my happy hardcore songs) – I also didn’t want to follow the typical dubstep formula so I decided to add some more musical elements.”

Earlier this year, the UK producer entered the world of Monstercat with a fierce Darren Styles collaboration called “Feel Like This.” Since then, he’s released two other tracks on the Canadian label: “Party Don’t Stop” with Darren Styles and Dougal, and “Over The Edge” with Kayzo. The tracks couldn’t be more different. “Feel Like This” and “Party Don’t Stop” contain Gammer’s signature BPM-bursting hardcore rhythms, and “Over The Edge” blends both producers’ skills into a bouncing house track.

Lee talked to DA about the new track, the Monstercat family, and his enduring love of the hardcore genre.


Tell us a little bit about the making of your newest track, “Let’s Get Crunk.” How long has it been in the works, and why is Monstercat the perfect place to premiere it?

It was actually just a demo for the longest time. Consider it one of my earliest attempts at bass music. However I produced it in the same comfort zone in which I make my hardcore. Thick kicks and subs that aren’t the cleanest but just have some weird energy that whacks hard as fuck in a club. It’s a functional tune! Straight up I’ve been trying to work with Monstercat for years, I love how open-minded their fanbase is and I love their energy. As well as being fans of happy hardcore, they’ve openly embraced how much I’ve wanted to expand my sound as an artist.

In addition to the premiere this week, you also just released your Diplo & Friends mix. What was that experience like?
Stressful! Haha. I love making mixtapes, but I always stress myself out over them. For me it’s always been about more than just putting tracks one after the other, it’s about engaging the listener from the start and keeping them hooked. Also, I’m comfortable making mixes last for 30-40 minutes, and having to make it last a whole hour was just something else. On top of this I spent weeks compiling it, mostly in hotel rooms and on planes in between shows. I’m super happy with how it came out and I’m honoured to be involved with Diplo and Radio 1. If I make a few more people fans of the music then I guess that’s a bonus.

What do you see for the future of hardcore in the States? It seems it’s popping up more and more in the North American dance music scene.

One thing thats great about hardcore in the States is it’s still considered a newer / different sound. It’s crazy going to these bass heavy clubs and dropping this 170-bpm madness and seeing the energy levels lift immediately.

What’s your favorite country and/or city to play and why?

Haha this is a tough one. I love playing in different regions for different reasons but my most standout has to be Tokyo. These kids go facing wild from start to finish, completely sober!

What are some of the biggest differences in playing a show in the States vs. back home in the UK?

My core style remains similar in both countries, but it’s kinda like this: my U.S. sets tend to be bass heavy but I can’t really play the super super purist hardcore stuff. The UK I can play the super anthem-y hardcore but I wouldn’t play the bass-heavy stuff.

Who has inspired you the most in your years of producing?

Haha, it’s got to be my boi Kanye West! It would take an entire interview to go through the reasons, but essentially I really admire the way he thinks outside the box and is absolutely unafraid of what people think about him.

What does the rest of 2017 look like for you?

Busy! Another tour, some Asia shows, more U.S. shows, an EP, more collabs, more life!

Why does hardcore hold a special place in your heart? What makes the music and the scene stand out?

I wanna make this super clear for all the people that have been worrying about me and my feelings on hardcore. I fucking ADORE hardcore. It is beyond any measure of a doubt, my favourite style of music. When you drop it in a club and it pops off, it pops off way WAY harder than even the coolest dubstep track – it’s unlike anything else! I’m just over scenes though.

This story was originally published at dancingastronaut.com. Read it on DA’s website here.
Ladue News Feature Stories

A Helping Hand for Those Who Gave All

From 2004 to 2005, Dustin Row served in the Iraq War with the 724th Transportation Unit of Bartonville, Illinois. The unit’s mission was to escort fuel convoys to Baghdad and western Iraq. On April 9, 2004, the unit drove a support convoy directly into an ongoing offensive between the U.S. Army and Shiite militiamen. Outnumbered by hundreds, Row’s truck was one out of six to make it through the kill zone. Two of his fellow soldiers were killed in action, and one was captured.

When he returned to his hometown of Columbia, Illinois (just 20 minutes from downtown St. Louis), he had a good job and a supportive family. He knew these were luxuries that many combat veterans aren’t afforded and felt compelled to do something about it. In 2013, he started a not-for-profit organization called Songs4Soldiers to help returning combat veterans and their families. As a fundraiser for the organization, Row assembled his band, Where’s Charlie?, and other local groups to perform a benefit concert in a grocery store parking lot in Columbia.

What started small has grown tremendously in the past four years. In 2013, the organization was able to put close to $7,000 toward veterans assistance. In 2016 alone, that number was up to more than $155,000.

“We have a huge concert every year, and 100 percent of the proceeds help combat veterans all across the Midwest throughout the entire year,” Row says. “Up to this point, we’ve spent more than $325,000 and helped more than 245 combat veterans and their families.”

When it comes to helping veterans, Songs4Soldiers has a unique way of making sure the money goes to the right places.

“We’ve never given a dollar of cash to any veteran, ever,” Row says. “Whatever their greatest need might be, we do it directly. That way we know for a fact it goes to the right place.”

Songs4Soldiers only helps veterans who are “doing their best to put their best foot forward,” Row says. All too often, help for veterans is nothing more than a Band-Aid of sorts, he explains. To combat that, Songs4Soldiers aids in funding mortgages, security deposits, dental work, home repairs, support dogs and more.

“If you can name it, we’ve done it,” Row says.

The yearly concert is the organization’s biggest fundraiser, with last September’s raising more than $91,000. It’s caught the attention of veterans and media outlets across the Midwest and continues to grow with each passing year.

With growth comes challenge, though. As a town of 10,000, some question if Columbia has the space to support an event this big. Row thinks so – he says Songs4Soldiers’ annual concert will always be held in Columbia. However, out of necessity, it’s grown to a two-night event this year with a national performer headlining the event.

On Sept. 22, Columbia’s Bolm-Schuhkraft City Park will host singer/songwriter Bret Michaels, along with local acts Jeremiah Johnson Band and Dazed n Confused STL. On the concert’s second day, Sept. 23, the lineup will feature ClusterPluck, The Dave Glover Band, PettyCash Junction, Where’s Charlie?, Dazed n Confused STL, Joe Dirt and the Dirty Boys, and SuperJam. The second day will also feature a kid zone with bounce houses, although both days are family-friendly, Row says.

“The cool thing about doing a two-night show for the first time is that it doesn’t come from a place of ego – we literally need to have a second show to support the number of veterans that we have coming in from all over the Midwest,” he says. “We have combat vets coming from St. Louis, Chicago, Tennessee, Michigan … the whole Midwest.”

When asked what he’s looking forward to the most about this year’s event, Row says the answer is twofold. The first part is a surprise, though, and will take place during the Bret Michaels show on the concert’s first night. The second part is something that happens every year: his chance to look out at the crowd from the side of the stage and just take it all in.

“Looking at my team and my kids and seeing how far this has come is my favorite moment every year,” he says. “It’s not just a normal concert. It’s allowing us to help hundreds of people. It’s like Christmas morning to me.”

Row has high hopes for the future of Songs4Soldiers. He envisions continued growth as word spreads but wants the organization to remain “very small at heart.”

“I picture a national charity coming out of an awesome, supportive community,” he says. “The original mission of Songs4Soldiers was to be a small show and help four combat veterans a year, so I’d say we’re onto something here.”

Songs4Soldiers Fifth Annual Benefit Concert

What: A two-day concert series to benefit combat veterans across the Midwest and their families

When: Friday, Sept. 22, and Saturday, Sept. 23

Where: Bolm-Schuhkraft City Park, Columbia, Illinois

Details: Friday admission, $30 in advance, $35 at the door; Saturday admission, $10 in advance, $15 at the door; veterans and kids ages 12 and under, free

Information: songs4soldiersstl.org

This story was originally published at laduenews.com. Read it on LN’s website here.